1) Bewell, Alan. Natures in Translation: Romanticism and Colonial Natural History. 2016. Johns Hopkins University Press. Hardbound: 393 pages. Price: $60.00 U.S.
PUBLISHER'S SUMMARY: For many critics, Romanticism is synonymous with nature writing, for representations of the natural world appear during this period with a freshness, concreteness, depth, and intensity that have rarely been equaled. Why did nature matter so much to writers of the late eighteenth and early nineteenth centuries? And how did it play such an important role in their understanding of themselves and the world?
In Natures in Translation, Alan Bewell argues that
there is no Nature in the singular, only natures that have undergone
transformation through time and across space. He examines how writers―as
disparate as Erasmus and Charles Darwin, Joseph Banks, Gilbert White,
William Bartram, William Wordsworth, John Clare, and Mary
Shelley―understood a world in which natures were traveling and
resettling the globe like never before. Bewell presents British natural
history as a translational activity aimed at globalizing local natures
by making them mobile, exchangeable, comparable, and representable.
Bewell explores how colonial writers, in the period leading up to the formulation of evolutionary theory, responded to a world in which new natures were coming into being while others disappeared. For some of these writers, colonial natural history held the promise of ushering in a "cosmopolitan" nature in which every species, through trade and exchange, might become a true "citizen of the world." Others struggled with the question of how to live after the natures they depended upon were gone. Ultimately, Natures in Translation demonstrates that―far from being separate from the dominant concerns of British imperial culture―nature was integrally bound up with the business of empire.
RECOMMENDATION: For those with an interest in the history of nature writing.
Bewell explores how colonial writers, in the period leading up to the formulation of evolutionary theory, responded to a world in which new natures were coming into being while others disappeared. For some of these writers, colonial natural history held the promise of ushering in a "cosmopolitan" nature in which every species, through trade and exchange, might become a true "citizen of the world." Others struggled with the question of how to live after the natures they depended upon were gone. Ultimately, Natures in Translation demonstrates that―far from being separate from the dominant concerns of British imperial culture―nature was integrally bound up with the business of empire.
RECOMMENDATION: For those with an interest in the history of nature writing.
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